d:vice™

Digital Audio Interface

Flawless mobile audio

You’re on the run after some big news. You need to be quick and practical, but most importantly, you need to capture a great story.

Your smartphone records the video but you know that crystal-clear audio is essential. With the d:vice™ Digital Audio Interface your audience will clearly hear your message, even if you work in challenging situations. Pre-programmable, easy to use and inconspicuous, the d:vice™ allows you to record amazing sound so you can tell the full story.

Our d:vice™

d:vice™

Digital Audio Interface

The d:vice™ MMA-A Digital Audio Interface is a high-quality, dual-channel microphone preamplifier and A/D converter that captures crystal-clear audio via your favorite recording / broadcasting apps

Read more and configure your d:vice™ Kit

Our d:vice™ Kits

We have bundled the d:vice™ into specialized kits, to make it easier for you to choose the solution that best supports your needs. Each kit contains a d:vice™ MMA-A unit and its cables as well as the right microphone(s) for your situation packaged together with useful clips and accessories as well.

d:vice™ Lavalier Kit



This kit is perfect for when only one person is speaking at a time. It is a robust and unobtrusive solution; the tiny d:screet™ SC4060 Omnidirectional Miniature Microphone is placed in the smallest holder on the market where it is protected from rough handling.
 

d:vice™ Headset Kit



This kit offers the best speech pick up, due to the proximity of the headset mic to the sound source. It can be combined with other DPA mics, like the d:screet™ SC4098 for adding ambience or recording the surroundings of the situation that you are recording / broadcasting from.
 

d:vice™ Double Lavalier Kit



This kit has two selected d:screet™ SC4060 microphones, which makes it perfect for an interview situation with a mic on each person. This gives a fluent interview where a journalist can interrupt without moving the mic away from the subject. It can also be used to create great-sounding stereo recording on a mobile phone or tablet.
 

d:vice™ Lavalier Combo Kit



This is the ultimate mobile broadcast kit; containing one d:screet™ SC4060, used by the journalist, and one d:dicate™ 4018, which takes care of the clean feed that often follows a broadcast. (The journalist’s audio is in channel 1 and the ambience sound follows in channel 2.)This allows content to be used with the ambience sound but without the commentating. In this kit the d:vice™ is combined with the MMP-GS Modular Active Cable and the GSM4000 Gooseneck Shock Mount for d:dicate™.
 

d:vice™ In-Ear Headset Kit



This kit offers the best speech pick up, due to the proximity of the headset mic to the sound source. It can be combined with other DPA mics, like the d:screet™ SC4098 for adding ambience or recording the surroundings of the situation that you are recording / broadcasting from. The ear piece can be used for classical broadcast situations where the ear piece allows interruptible foldback (IFB) and is combined with the headset microphone. This solution is best used with iOS devices having the Mini Jack connector directly on the device itself (e.g. the iPhone 6S).

Choose your d:vice™ Kit here.
The d:vice™ is a worthy addition to the renowned DPA microphone portfolio. It is sure to increase sound quality for many ENG users and will provide established production sound pros with welcome extra options on-set.
Read the full review in Resolution Mag

Features of the d:vice™

The d:vice™ MMA-A Digital Audio Interface is a high-quality, dual-channel microphone preamplifier and A/D converter that captures crystal-clear audio via your favorite recording / broadcasting apps. The d:vice™ can be used with all DPA microphones with a MicroDot connector. This flexibility allows any content creator to use the equipment for unexpected situations that might arise during the day. Whether it be a two-channel interview situation or a session of stereo recording ambience sound, the d:vice™ makes it easier for you to do your job.



The d:vice™ app is key

Download and install the d:vice™ App from the Apple App Store. It will work with most 3rd-party apps and therefore can be used in various situations including live broadcasts, as well as audio and video recordings.



The d:vice™ can be used right out of the box but to take full advantage of it, the d:vice™ App is needed. Below you can learn about the functionality of the app.

Gain
Use the GAIN slider to adjust input levels. Slide to the right to increase amplification, to the left to decrease. Make sure to keep an eye on the level meters when you are adjusting gain. The meters should stay in the green and yellow areas.

Filter
The FILTER button (low cut / high pass) cuts out unwanted, low-end frequencies (rumble) that can decrease the intelligibility of your recorded audio. In most cases we suggest using the FILTER button and if, for example, you are recording outside near a road with traffic, this setting is essential.

Monitor
Use the MON button to send audio to your headphones so you can hear what you are recording. Please note that a headphone must be connected to the iOS device, otherwise the button will not activate and you’ll be prompted to connect a headset. If the headset includes a microphone it must be connected prior to connecting the d:vice™ via the Lightning connector. This is due to the iOS ‘last entry active’ nature of operation. (We recommend using a wireless headset when using an iPhone 7.)

Lock
Use the LOCK button to block 3rd party apps from controlling gain. Gain settings can be controlled and saved on the d:vice™ for use in your favorite recording / broadcasting apps. The lock button also controls the setting of the low cut / high pass filter. Saved locked settings are automatically activated the next time you connect to the d:vice™.

Mono
If only one microphone is connected to either input I or II, MONO is chosen automatically. The mic input will be routed to both left and right output. Only one GAIN slider and FILTER button will be available in this mode. (When two microphones are connected, the MONO button changes to SUM. Learn more about SUM below.)

Stereo
Use STEREO when you need to capture sound sources in stereo. Both microphones are controlled with one GAIN slider. Example: Ambiance sounds can be recorded in stereo using two mics that have the same sensitivity.

Important: When using STEREO you must use two mics that are optimized for stereo recording, for instance the specially-selected d:screet™ 4060 pair included in the d:vice™ Kit VIDMK-4060-S.
 
Dual
Use DUAL when the gain must be set individually for input I and II (for example, with two different microphone types or in situations where two people with different voice levels are to be recorded). The FILTER buttons are also individual in this situation.

Sum
Use SUM to make a mix of the two input channels. When two microphones are connected, the MONO button changes to SUM. This means that the two inputs will be sent to both output channels.
Individual gain can be set for each input.

Presets
Presets store your preferred settings for specific microphone(s) and make your set up easier. After choosing your settings, create the preset by pushing the numbered preset button of your choice for three seconds. The next time you plug in the same mics, push your preset button and you are ready to go – no adjustments necessary.

Where do I buy?

Are you ready to buy an d:vice™ Digital Audio Interface? Find the store closest to you.
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It is so small that it fits into my violin case and, apart from an extra microphone, I don’t need to carry any other equipment. It is also aesthetically really pleasing - I sometimes just open the box to look at it.
Read the full review on Sound and Video Contractor

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